CARRION FOR DISASSEMBLY

CARRICE FOR DISASSEMBLY seeks to question and instigate how much we return to the origin of the human race in its primitivism when we consume in excess, as well as its counterpoint with such advanced technologies that we enjoy today and leave us in torpor. We always want more. We always want to consume new external technologies so that, as an extension of our bodies, they make us belong to some group or meet intangible needs. Through the work, which flirts with literality but deals with deep layers of individual and society's "wants", the invitation to the other for the symbolic liberation of matter happens: destroy the exterior to return to our interior; the real discovery of who we are in body and vital energy. Observing how the various bodies react and are disposed to the rupture of an endless system that pasteurizes is another great motto. Breaking free from an imposed model proves to be a form of internal revolution that gradually contaminates and encourages thinking about our role in addicted and anesthetized society. The video was built parallel to a performance of the same name and all image material was captured from cell phones and tablets in order to exhaust the potential of the technology that we discarded. The work has as main theoretical arguments the film "2001: A Space Odyssey", the active political discourse of the artist Ai Wei Wei, "The Society of the Spectacle" by Guy Debord and the Philosophy of the Hammer by Nietzsche.

TECHNICAL DATA SHEET CARRION FOR DISASSEMBLY.

Conception, script and idealization: Fernanda Nicolini and Marcelo Sant'Anna .
Movement, language and action: Fernanda Nicolini .
Images and soundtrack: Marcelo Sant'Anna.
Waste: Odyssee
Rio de Janeiro . 2018 . Brazil